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Showing posts from August, 2013

Emulating Nature

MnCO3Rhodochrositelayers of inspiration
concentric bands of light
magnificent crystals
textured beauty caught in a frame



Genuine sentiments

through the mailWhen I sent these postcardsto my friend, she thought they wereone of my abstract designs. The bottom two cards arrived first andthey made a really nice design when turnedupside down.When all four cards arrived sheframed them.
I wonder what the recipients of mysix puzzle postcards think. . . 

Postcards

Sentimental QuadrilateralsMany of my handmade postcards andpostcards printed on watercolor papers come in four parts.Each week a recipient receives a differentpostcard with 1/4 of the image.When all four postcards are receiveda complete image is created.

Charlotte Elliott, Baltimore, MD

I would like to introduce one of my favorite stores in BaltimoreCharlotte ElliottandThe Bookstore Next Door Established in 2001 in the Hamden district of Baltimore this antique, fine art, vintage clothing, and bookstore is family owned and run by the Hays family. Located in two adjacent buildings,835 & 837 West 36th Street, one store is filled with fine art, first edition, rare, and used books. The other store is filled with  beautiful linens, silver, and vintage items.
I always say I am only going to browse their eclectic mix of art, books, and linens; However, when I leave, my wallet is lighter and my bags are heavier. 




To Err is Human

I love visiting the Newseum in Washtington, DCEverything you want to know about journalism:recording, reporting, and photographing information is there.


Even the errors.

Shadow and I

Just where my long road started out, it ends. I stand alone and see my childhood town Calling its kids and saying goodnight to friends. And now the ruffled window shades draw down.
Old men and women, slumped in easy chairs, fold up their papers, yawn, and cease to talk. I know that only a tireless streetlamp cares Where I, a ghost with fisted pockets, walk.
Shadow and I, we play a little game  Of hide-and-seek, as we have always done. Ten years ago I had a boy's nickname, Voiced in the streets and known by everyone.
That name, those years, companions that I had -- Channing the fiddler and the girls next door, The roughneck gang that drove my father mad, Trampling his flowers in their relentless war --
Where are they now, so dear and out of date? Old men and women yawn but do not stir The burned-out embers, and the hour is late Someone is calling but I can't see her.
"Sneakthief!" she cries.  "You've waited here too long, Thinking of them, beside an old stre…

Video: Pages from my artist's book

I Never Thought I'd Be the OneTale #15


Artist's books and boxes

I love making custom made matching boxesfor my artist's books.  Here are a few:I've been experimenting with various textureson the covers.  My goal: to create strong, sturdy, anddurable textures that would allow years of handling and the books still look great.
Restroom's cover is created with fabric,acrylic paint, mulberry paper and dictionarypages.  A layer of methylcellulose (a glueand binder used to create paste papers as wellas book conservation) was brushed on topto seal the design.  The cover of Invisible was also sealed with methylcellulose.  I like this binder much better thanacrylic mediums as they tend to feel sticky.
Yellow Jazz is one of my favorite creations using pigments and acrylic mediums.  The cover started as apaste paper and turned into a heavily texturedcover for the book and box.Geometry of Chaos: I used black acrylic paintand mixed it with Golden's mediums and additives.
Maybe Golden will let me demonstrate my techniques with their products?

Periwinkle: when life makes me cry

at timeslife makes me cry. 
poetry allows me to embrace these emotions.
philosophy allows me to put them into a logical form.
art allows me to record them.Artist's books and Broadside balladsI created broadside ballads with 
left over pages from my limited edition
artist's book Periwinkle.

Why broadside ballads?Traditionally, broadsides were songs or poemsprinted on one side of a single sheet of paper.From the 1600s to 1900s, broadsides were daily 
forms of street literature, and printers 
used low quality, inexpensive papers. 

"Sold in the streets by itinerant vendors,
broadside ballads ranged in size from tabloid-sized
and larger sheets to small 4"x 8" slips of paper.
As a general rule broadside ballads were,
like newspapers, intended to be ephemeral,
and were usually printed on the cheapest, 
thinnest papers."
source: New York State Library
Street Literature and Broadside Ballads

Like most broadsides these days,I use acid free handmade papers orarchival printmaking papers…

Nuns who create art, Part I

Sister Mary Corita "Stop the Bombing""Let's Talk""Handle with Care""Somebody had to break the rules""The clue is in the signs"These are just a few titlesof Sister Corita's printed posters.Sister Corita designed hundreds of vibrant postersthat reflected American culture in the 1960s.

Her silkscreened posters captured the social, political, and cultural milieux of the 1960s.
Sister Corita incorporated headline news,stories, and advertisements into her art.
I saw an exhibition of Sister Corita's artin Washington, DC atthe National Museum of Women in Artsand I felt I was back in the 1960s protesting for peace and justice.Her work was powerful and beautiful.Sister Corita wrote:If we separate ourselves from the great arts of our time,we cannot be leaven enriching our society from within.We may well be peripheral to our society - unaware of its painsand joys, unable to communicate with it, to benefit from it or to help it.  We will b…

Moonlight Love

What do you want, love. To beloved.  What,
what wanted,love, wantedso much as love
like nothing considered, nofeeling but
a simplerecognitionforgotten, sits
in its feeling,two things,one and one.
Song by Robert Creeley March 1965

Dear earth,

I do salute thee with my hand,
Though rebels wound thee with their horses' hoofs.
As a long-parted mother with her childPlays fondly with her tears and smiles in meeting,So weeping, smiling, greet I thee, my earthRichard II,  (III.ii.6-10)Wm. Shakespeare

Book Arts for Children

The spirit of creativity in childrenI love teaching children visual storytelling withthe accordion book structure.Children enjoy folding and putting creases in the papers.Some draw from left to right.  Some right to left.  Some start in the middle.  It is their story and they tell it the way they want.I give them pencils, crayons, water colors, and lotsof encouragement to create images and tales.
Children are natural storytellers. One easy lesson children enjoy is creating inkblot drawings.They put ink drops on one side of the paper,fold down the other side,rub the paper with the back of their hands,open it and they have an image.Looks like the Rorschach test?
Ask a child what it is and the stories are amazing,
and sometimes, surprising!

In the forest . . .

Nature is my greatest inspirationhttps://www.etsy.com/shop/GrandmasPrintShop1I love the colors,
the shapes,the sounds
strolls in the forest mother nature's perfume
lilies, lavender, longingall that is alive

Directions

Taking a break from making paper.Dedicating more time to working on my relief prints and upcoming videos.I feel as if I am going in anew direction . . .

Don't Look Now

Going through my old film negativesand Kodachrome slides. 

I still like using film whenever I can,however film has become so expensiveto process.  I miss having a dark room,but I don't miss all the chemicals.


Linocut: The Little Oracle

There once was a little oracle . . .

Socrates and Aesop's Fables

In Plato's Phaedo  Socrates had a dream to write poems (verse).
After his trial, as
he was awaiting death, Socrates said, "[...] I realized that a poet, if he is to be a poet,must compose fables, not arguments.Being no teller of fables myself, I took the stories I knewand had at hand, the fables of Aesop, and I versified the first ones I came across" 61b.

Handmade papers and book structures

Book of Contents 

I finally found a form for myhandmade papers.  
I have been experimenting with differentforms to exhibit my handmade papers.Even though the handmade papers are sturdy and textured,exhibiting them without frames left them vulnerable.Exhibiting them with frames really didn't show their intricately embossed designs and textures.This week, I finally perfected the bookbinding forms.
 In the past, all of my artist's books havehad title pages, prologues, bodies or"signatures" with stories and poems colophons, headbands, and hand marbled end sheets. These do not.  However, these book structures really enhance my content and I am going to call them Books of Content.