Coleyism: 26 II 2013

Connected by Suzanne Coley

Fe₂O₃

Giving voice to a tale of pursuit and desire

He wanted to know her secrets

Republicans sign brief in support of gay marriage

Beneath the raw sienna paint

Remove each layer, delicately, gently

Yahoo orders home workers back to the office

Thoughts, passing moments

Children work in India mines despite a ban

Ocher colored oil beneath their fingernails

How women changed America

Brush against the winds of time

Recipe for a perfect photo

South Korea: First woman sworn in as president

Venetian red lips open the talks

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On The Verge, 2024

This month I celebrated my 23rd year creating original imagery and art for theaters by taking my mom and husband to a local production of Eric Overmyer's play On The Verge or The Geography of Yearning . On The Verge was the first play that I created illustrations and art for the production's posters and the theater's exhibition gallery. It was great to see this play more than two decades later. A bit of trivia: On The Verge premiered in Baltimore in 1985 at Baltimore Center Stage Theater. Working on this play and Aristophanes Clouds in Italy, are two of my all time favorites. Photo: Fells Point Corner Theatre Production, Baltimore, MD 2024

Flowers For Mistress Overdone, 2024

Coded Threads: Translating Shakespeare Through Art The following is a page from Flowers For Mistress Overdone , the first of two books that I presented at the Folger Shakespeare Library on Nov 16. The pages for the books are created with textiles from 5 continents (Africa, Asia, Australia, Europe and North America). The textiles were collaged and sewn into various designs. The fabric on the left is a collage of American and Tanzanian fabrics that I combined with one of my linocuts. The fabric on the right was an original mid century modern English quilt top I purchased at London's Antique Quilt Company during my summer in the UK researching Shakespeare's texts. The owner, Christopher, sources the highest quality textiles and it was truly a joy to transform this quilt into pages of my books inspired by Shakespeare's Measure For Measure. It was wonderful to present a few of my original artworks and embroidered books during my talk at the Folger Shakespeare Library....

Abstract Art: Climbing Erupting Volcanoes

t rying to understand where I stand in the universe acrylic on board, 2012 My process: It begins with a dream or a feeling that won't let me rest. The colors are vivid, usually 8 or more. When I get the blank white canvas, I narrow the colors to 4, selecting the most difficult hues to work with. I never know the exact final forms. I just follow my hands, trusting them to reveal the invisible. Suzanne Coley

Baltimore Sonnets

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