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Flowers For Mistress Overdone, 2024

 Coded Threads: Translating Shakespeare Through Art The following is a page from Flowers For Mistress Overdone , the first of two books that I presented at the Folger Shakespeare Library on Nov 16. The pages for the books are created with textiles from 5 continents (Africa, Asia, Australia, Europe and North America).  The textiles were collaged and sewn into various designs. The fabric on the left is a collage of American and Tanzanian fabrics that I combined with one of my linocuts.  The fabric on the right was an original mid century modern English quilt top I purchased at London's Antique Quilt Company during my summer in the UK researching Shakespeare's texts.  The owner, Christopher, sources the highest quality textiles and it was truly a joy to transform this quilt into pages of my books inspired by Shakespeare's Measure For Measure. It was wonderful to present a few of my original artworks and embroidered books during my talk at the Folger Shakespeare Library....
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On The Verge, 2024

This month I celebrated my 23rd year creating original imagery and art for theaters by taking my mom and husband to a local production of Eric Overmyer's play On The Verge or The Geography of Yearning . On The Verge was the first play that I created illustrations and art for the production's posters and the theater's exhibition gallery.  It was great to see this play more than two decades later. A bit of trivia: On The Verge premiered in Baltimore in 1985 at Baltimore Center Stage Theater. Working on this play and Aristophanes Clouds in Italy, are two of my all time favorites. Photo: Fells Point Corner Theatre Production, Baltimore, MD 2024
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Abstract Art: Climbing Erupting Volcanoes

t rying to understand where I stand in the universe acrylic on board, 2012  My process: It begins with a dream or a feeling that won't let me rest.  The colors are vivid, usually 8 or more.  When I get the blank white canvas, I narrow the colors to 4, selecting the most difficult hues to work with.  I never know the exact final forms.  I just follow my hands, trusting them to reveal the invisible.   Suzanne Coley
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