Skip to main content

100 Days of COVID-19, Day 4

My Art in a time of a Pandemic


Memories of teaching coding and embroidery at a New York City High School
This year I was invited by Eleanor Roosevelt High School on the upper Eastside of Manhattan to teach art and design in several of their computer classes.  These STEM classes were taught by an innovative computer educator named Susan Ettenheim.
Susan Ettenheim has been working on several projects. One of them aims to extend the computer coding skills of high schoolers in a very creative way.
When working with textiles, the first thing I encourage all students to do is paint their own fabrics.  Start projects with blank canvases and create their own marks and images from the beginning.  We began our project with three basic colors, blue, yellow and red.
The students were very happy with their first layer - painted textures.  After the paints dried, the students printed their computer coded designs, using an embroidery machine, onto the fabrics.  This created their second layer.
The final layer was hand embroidery and stitching.  Teaching the students traditional hand embroidery techniques that they had only seen on computer screens was very enlightening. Many students commented that stitching, when coded and printed by the machine, seemed very easy and fast. When the same stitches were done by hand, students noticed the complexity of the process and the amount of fine-tuning it took to achieve various styles and designs.

It is always magical to compare the embroidery to the design and the code. The embroidery becomes a type of haptic pseudocode.

The final project was going to be a large quilt with 108 panels created by the students. This quilt was due to be auctioned for scholarships. Schools in NYC were closed on March 15 due to the COVID-19 pandemic.



Coronavirus Disease 2019: Update in Maryland- 4/3/2020
2,758 confirmed cases
42 deaths

Update in New York State - 4/3/2020
102,870 confirmed cases
2,935 deaths









Comments

Popular posts from this blog

Born of Love, Shakespeare's Sonnet 151

Over the summer I worked on new artwork, Born of Love , inspired by Shakespeare's Sonnet 151. The book offers a translation of the sonnet to the language of textiles and embroidery.  Working on this book allowed me to explore the beauty of textiles from four continents.  Its construction is inspired by the poetic structure within the sonnet.  This book, along with two other of my art pieces, will be on exhibit at the Folger Shakespeare Library from 16 Sept 2024 - 9 Feb 2025.

Flowers For Mistress Overdone, 2024

 Coded Threads: Translating Shakespeare Through Art The following is a page from Flowers For Mistress Overdone , the first of two books that I presented at the Folger Shakespeare Library on Nov 16. The pages for the books are created with textiles from 5 continents (Africa, Asia, Australia, Europe and North America).  The textiles were collaged and sewn into various designs. The fabric on the left is a collage of American and Tanzanian fabrics that I combined with one of my linocuts.  The fabric on the right was an original mid century modern English quilt top I purchased at London's Antique Quilt Company during my summer in the UK researching Shakespeare's texts.  The owner, Christopher, sources the highest quality textiles and it was truly a joy to transform this quilt into pages of my books inspired by Shakespeare's Measure For Measure. It was wonderful to present a few of my original artworks and embroidered books during my talk at the Folger Shakespeare Library....

Flower Power, 2024

2024 was a productive year.  I created several different book series of embroidered and embellished books during my 1.5 years as a Folger Institute Fellow.   These three flower books are in response to Shakespeare's Sonnet 54.  During my artist talk at the Folger on 16 November 2024, I mentioned the power of flowers.   "The act of giving flowers is a timeless gesture of deep appreciation, love, or praise. Beyond their symbolic value, flowers serve as visually striking design elements, drawing the eye and creating inviting focal points. Even after a fresh bouquet fades, the memory of the gesture endures, lending a poignant resonance to these artistic choices." /Suzanne Coley, 'Coded Threads,' November 2024